Newcomer Olivia

Kid Cudi's third studio
album takes listeners on a dark, psychedelic journey
through the artist's psyche. Cudi is known for pushing
the envelope with his music and aims to reinvent
himself after each release. He took complete control of
this album by essentially writing and producing the
entire project, which is a feat unbeknownst to most
rap/hip-hop artists.
While Indicud hasn't won Cudi any new fans amongst
critics, it certainly has warranted him respect. The
focal point of this album is whether Cudi can create an
entire musical project by himself. Hence, you have
extended instrumentals and tracks where he may take the
backseat in lyrics and focus on production. This is
most apparent when he collaborates with rhymeslayer
Kendrick Lamar on "Solo Dolo Part II". While Lamar
brings consistent lyrical fire ("Eternity, no such
thing as time will tell / Infirmary, burn like magnetic
combustion / Bad credit with me, and paramedics are
hustling"), Cudi produces rather uninspiring lyrics
("Searching all day in the streets for DMT / Don't sip
it, though -- it couldn't answer / Drip, drip all day
-- bumping' MGMT, homie"). Granted, it is difficult to
hang with the likes of a superior wordsmith, such as
Lamar, but Cudi could have given us a bit more
substance.
I am short that’s all there is to it. I’m barely 5’2” and come from a family of hourglass shaped women with a tendency to put on weight on our bottoms and tummies. I’ve struggled with my own perceptions of my weight as well as outside pressure from society and within my own family.








