10/12/11 01:09 AM Filed in:
Video Vixens
"
Video Girl" got a lot of
things right - acting, cinematography, and
direction are all notable. I always say we need
to see more movies about African Americans just
living life and doing things everyday people do.
This is one of those movies. It tells the story
of Lori Walker, strongly played by
Megan Good, who moves from
her small town to Los Angeles to pursue music
video modeling. You can tell that the people
involved with making this movie knew the
business, because they got the nuances right,
like the atmosphere of a music video set.
Lorie's submergence into the world of music
videos also felt true to real life, as did the
interaction between the key players. Good
brought her considerable acting experience to
bear in this movie, taking it up several
notches.
There needs to be a separate mention for
cinematographer
John Barr, who was camera
operator on
Capote and Frost/Nixon. This
guy knows what he's doing, and he gave the movie
a professional, self assured look that is rarely
seen in independent African American films.
People may not notice small things like the
lighting on the golf course music video scene,
but as a photographer I certainly did. Bravo
John.
Melyssa Ford has a nice part
as a bad influence on Lorie. Esther Baxter also
has a small part in the movie, as do Suelyn and
Angel Lola Luv. All of the supporting cast is
fairly good, and particularly
La'Myia Good as Lorie's
sister (La'Myia is Meagan's real life sis) and
Haylie Duff (Hilary's older
sister) as Lorie's "friend." (Haylie is
uncredited in the movie for reasons unknown to
me.)
The first half of the movie is enjoyable in a low key
way. If you don't already like Meagn Good, you
probaby will after this movie: she apparently has no
bad camera angles. The problem comes with the third
act of the film, as Lorie succumbs to the fast life
in Los Angeles. This part of the movie feels
overwrought and drawn out. Additionally, Lorie's
sudden cocaine abuse problem feels cliche and dated.
(It probably should have been an oxy or vicodin
addiction.) But the main issue is that we aren't
shown any of the real problems an aspiring video
vixen might encounter (e.g., being a single parent,
homelessness, rape) in a meaningful way. Success
actually comes pretty easily for Lorie, except that
"Shark," the music video director who takes her under
his wing, becomes overly possessive. There's some
back story about issues at home leading to Lorie's
unraveling, but it also seems cut and paste.
Despite this, "Video Girl" is still a pretty likable
movie. It's not everyday you see a quality black,
indie like this, and I suspect that as word gets
around, this will become a favorite in the community.
Kudos to all involved.
Tags: Meagan Good, John Barr, Ty Hodges, Melyssa Ford, Esther Baxter, Datari Turner